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Chamber and committees

Official Report: search what was said in Parliament

The Official Report is a written record of public meetings of the Parliament and committees.  

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Dates of parliamentary sessions
  1. Session 1: 12 May 1999 to 31 March 2003
  2. Session 2: 7 May 2003 to 2 April 2007
  3. Session 3: 9 May 2007 to 22 March 2011
  4. Session 4: 11 May 2011 to 23 March 2016
  5. Session 5: 12 May 2016 to 5 May 2021
  6. Current session: 12 May 2021 to 5 August 2025
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Displaying 831 contributions

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Rural Affairs, Islands and Natural Environment Committee

Farming and Crofting

Meeting date: 22 September 2021

Alasdair Allan

As has been mentioned, I am interested in your take on what has been happening post-Brexit. In particular, I know that the NFUS has had things to say about trade deals. Do you have any views or concerns about what future trade deals might look like for farming? That is a question for Beatrice Morrice or Davy McCracken.

Rural Affairs, Islands and Natural Environment Committee

Farming and Crofting

Meeting date: 22 September 2021

Alasdair Allan

Do you really think that the impetus behind the trade deals has anything to do with the issues that you have just mentioned?

Rural Affairs, Islands and Natural Environment Committee

Farming and Crofting

Meeting date: 22 September 2021

Alasdair Allan

I think that many women in agriculture would agree with what you have just said about women being excluded from such deals. Do you feel that Scotland has been excluded from those deals as well?

Constitution, Europe, External Affairs and Culture Committee

Pre-budget Scrutiny 2022-23: Culture Sector

Meeting date: 16 September 2021

Alasdair Allan

I am interested in what you have said throughout the meeting about rebuilding from the bottom up and the importance of small venues and small cultural activities. I do not want anyone to take this as criticism of Scotland’s large performing companies, but—given that we are talking about budgets here—does your position imply anything about the balance that will have to be struck in future between larger and smaller enterprises in the arts? Has Scotland got that balance right? Is there anything that you want to say about any of that?

Constitution, Europe, External Affairs and Culture Committee

Pre-budget Scrutiny 2022-23: Culture Sector

Meeting date: 16 September 2021

Alasdair Allan

I am interested in what was being said in that discussion about the impact on artists, as employees and companies and businesses. I am also interested in individuals, given how many artists or people working in the sector are self-employed. I would like to hear from Matt Jones, or others, about the experience of self-employed people during lockdown.

Constitution, Europe, External Affairs and Culture Committee

Pre-budget Scrutiny 2022-23: Culture Sector

Meeting date: 16 September 2021

Alasdair Allan

Do you think that that has had a deterring effect on new freelancers entering the industry? What can we do to try to overcome that? Do we need to rethink what we do to reassure young people who want to become freelancers in the arts that it is a thing that they can do? That might be a question for Matt Baker.

Rural Affairs, Islands and Natural Environment Committee

Fisheries and Aquaculture

Meeting date: 15 September 2021

Alasdair Allan

Notwithstanding everything that people have said about the need to invest in the future and a homegrown workforce, I take it that the panel would agree that there is an urgent situation that requires the availability of visas on an emergency basis. I am keen to know whether Tavish or Elaine or the other witnesses would support the UK Government taking such a measure.

10:30  

In relation to that, the panel will know that, in many areas, especially island ones, some sectors are struggling to find a workforce at all, which has implications for how we work together on issues such as housing. We will not have a workforce, wherever they come from, if there is nowhere for them to live.

Rural Affairs, Islands and Natural Environment Committee

Fisheries and Aquaculture

Meeting date: 15 September 2021

Alasdair Allan

If members of the panel do not like the term “trade-off”, I am happy to use another such as “interface” or “co-operation”. You can see what I am driving at, which is how we manage that relationship. Incidentally, I absolutely accept what has been said about the need for change and what Charles Millar said about the need for winch monitors to provide data.

Elspeth Macdonald touched on this issue in the first panel—do you feel that there might be a better way of managing the process of designation in order to avoid confrontation, as has happened in some places, and is there more that we can do to move forward the process of community involvement in the management of designations? I am not making a case against designation per se, but are there better ways of doing it?

Rural Affairs, Islands and Natural Environment Committee

Fisheries and Aquaculture

Meeting date: 15 September 2021

Alasdair Allan

Much of what has been talked about so far, especially by the previous panel, has involved the necessary trade-off between the future of the environment and the future of what are sometimes fragile rural economies. This is possibly a question for Charles Millar—I am not sure. We have discussed how the areas that are currently actively fished comprise a minority of Scotland’s seas. What kind of change should communities in those areas expect in the coming years?

Constitution, Europe, External Affairs and Culture Committee

BBC Annual Report and Accounts

Meeting date: 9 September 2021

Alasdair Allan

You mentioned some of the economic benefits of the dispersal of work. I am interested in the point that you made about the cultural benefit. For example, one of the long-running questions about broadcasting in Scotland is what can be done to commission more drama here. I seem to remember hearing a rumour when the new BBC Scotland channel was established that we were going to get a dramatisation of Sir Walter Scott’s “Waverley”—I live in hope of that.

What can you say about new writing and a focus on drama? Everyone looks back to programmes such as “Tutti Frutti” as great examples of new writing and drama. Does the BBC in Scotland have discretion to produce something like that?